Chapter 60
Jitterbug（ジターバグ）
ELLEGARDEN（ELLEGARDEN）
Author’s CommentIt’s a staple number that’s been played by light music clubs in Japan for years. I thought it would be a perfect symbol for the light music club in general and for the band heartbreak in particular.
Chapter 60
Prepare yourself!（覚悟を決めろ！）
Sabasister（サバシスター）
Author’s CommentTheir debut track sounds like determination in song form. What did Hatono mean when she asked Takami about determination? That’s something we’ll find out when the story progresses a little more.
Chapter 59
American Idiot
Green Day
Author’s Comment
Noro is a fan of foreign rock bands, something that's rare for a character of this manga.
Personally, I love "American Idiot" by Green Day too, and I had it on repeat back when I was a student.
Personally, I love "American Idiot" by Green Day too, and I had it on repeat back when I was a student.
Chapter 58
Shinumade ni Ore ga Yaritai Koto（死ぬまでに俺がやりたいこと）
yangskinny（ヤングスキニー）
Author’s Comment
This song is like an explosion of youthful energy. Its vigor and intensity mirror Yonsu's character, so I chose this song for him.
Chapter 50
16（16）
andymori（andymori）
Author’s CommentHatono sings this on her 16th birthday, but the lyrics
convey a profound sense of the loneliness that comes with growing up. Maybe one day she’ll look back
fondly on being 16.
Chapter 45
Angel Baby（エンジェルベイビー）
GING NANG BOYZ（銀杏BOYZ）
Author’s CommentI chose this song to represent the pinnacle of Tamaki's
youth. Even though the original lyrics are likely from a male perspective, the story of an outcast
finding salvation in rock music fits her perfectly.
Chapter 45
Spica（スピカ）
Spitz（スピッツ）
Author’s CommentThe opening lyrics reflect Hatono’s mindset during her
training arc, while the chorus feels like a message to Tamaki. I knew I wanted a Spitz song here, but
picking the right one was tough.
Chapter 43
Kagayakidashite Hashitteku（輝きだして走ってく）
Sambomaster（サンボマスター）
Author’s CommentWhen Tamaki was at her lowest, this song gave her the
strength to stand up and move forward. I believe all Sambomaster songs have that kind of uplifting
power.
Chapter 42
Yume de Aetara（夢で逢えたら）
GING NANG BOYZ（銀杏BOYZ）
Author’s CommentThe lyrics are close to how Tamaki must have felt when
she was in love with her tutor, Hikari.
Chapter 42
Kibun Joujou↑↑（気分上々↑↑）
mihimaru GT（mihimaru GT）
Author’s CommentThis song has strong hip-hop vibes, which is rare for
this manga. The cover made for the anime Ya Boy Kongming! brought it back into the limelight.
Chapter 42
Koisuru（恋する）
SHISHAMO（SHISHAMO）
Author’s CommentThis song portrays the feelings of a girl who falls in
love with her friend, which reminded me of an episode from Tamaki’s past, so I used its opening. I also
thought the song's upbeat intro would be perfect for the After-Festival Concert.
Chapter 41
Koisuru（恋する）
SHISHAMO（SHISHAMO）
Author’s CommentThis song portrays the feelings of a girl who falls in
love with her friend, which reminded me of an episode from Tamaki’s past, so I used its opening. I also
thought the song's upbeat intro would be perfect for the After-Festival Concert.
Chapter 40
Linda Linda（リンダリンダ）
THE BLUE HEARTS（THE BLUE HEARTS）
Author’s CommentI came up with the idea of having Hatono stop singing
right before the iconic "Linda Linda" shout in the chorus and added it at the last minute. Maybe one day
she’ll sing the whole thing.
Chapter 37
Jitterbug（ジターバグ）
ELLEGARDEN（ELLEGARDEN）
Author’s CommentIt’s a staple number that’s been played by light music
clubs in Japan for years. I thought it would be a perfect symbol for the light music club in general and
for the band heartbreak in particular.
Chapter 36
Jitterbug（ジターバグ）
ELLEGARDEN（ELLEGARDEN）
Author’s CommentIt’s a staple number that’s been played by light music
clubs in Japan for years. I thought it would be a perfect symbol for the light music club in general and
for the band heartbreak in particular.
Chapter 36
Dramaturgy（ドラマツルギー）
Eve（Eve）
Author’s CommentThis is one of Takami's theme songs. It makes you wonder
if Takami is putting on an act in the light music club, pretending to be someone he’s not. In any case,
I think it’s a tough song to perform.
Chapter 35
The Dance Calling UFO（UFOを呼ぶダンス）
POP NEVER DIES（ポップしなないで）
Author’s CommentThis quirky, offbeat pop song felt like a perfect match
for Ruri. I can picture her changing her vocal style between the verses and chorus, just like the
original artist.
Chapter 28
Namonaki Uta（名もなき詩）
Mr.Children（Mr.Children）
Author’s CommentA massive hit from the 90s. It’s a bit too mainstream
for Hatono’s taste, but I didn’t want to judge a song’s worth by its popularity, so I went with it
anyway.
Chapter 27
Rin To（凛と）
CreepHyp（クリープハイプ）
Author’s CommentAyame chose this song when she went to karaoke with Rin.
Ayame loves CreepHyp, so this song will probably make another appearance.
Chapter 25
REBEL WITHOUT A CAUSE (The Rebel Age)理由なき反抗(The Rebel Age)
a flood of circle（a flood of circle）
Author’s CommentThis was the only song that felt right as both the
culmination of Hatono’s training and a message to Ayame. In a way, Hatono's practice wasn't a rational
choice, but an act of rebellion.
Chapter 20
Spica（スピカ）
Spitz（スピッツ）
Author’s CommentThe opening lyrics reflect Hatono’s mindset during her
training arc, while the chorus feels like a message to Tamaki. I knew I wanted a Spitz song here, but
picking the right one was tough.
Chapter 19
Kaiju no Hanauta（怪獣の花唄）
Vaundy（Vaundy）
Author’s CommentThe upbeat, liberating tone of this song felt like a
perfect match for Reiha, who is truly a "beast."
Chapter 18
Sekitou（赤橙）
ACIDMAN（ACIDMAN）
Author’s CommentThis is another hallmark of 2000s alternative rock. I’d
initially planned a different song for this scene, but after seeing the passion in Hatono’s expression
that Ideuchi-sensei drew, I decided on this one instead.
Chapter 17
Life（生活）
syrup16g（syrup 16g）
Author’s CommentThis song is a hallmark of 2000s alternative rock. The
lyrics may be pessimistic, but they carry a powerful will to live, making it a perfect match for Hatono.
Chapter 16
Toumei Shoujo（透明少女）
Number Girl（ナンバーガール）
Author’s CommentHatono loves 90s Japanese alternative rock, so her
training arc was all about performing iconic songs from that era. "Toumei Shoujo" is one of those
classics.
Chapter 15
Kimi wa Rock wo Kikanai（君はロックを聴かない）
Aimyon（あいみょん）
Author’s CommentSince this was Hatono’s first time singing as a vocalist
in front of everyone, I chose a song that real light music clubs frequently play.
Chapter 13
Haikei, Shonen Yo（拝啓、少年よ）
Hump Back（Hump Back）
Author’s CommentThis is Momo's theme song. I couldn't think of a better
song for cheering Momo on, so I had Hatono sing it for her.
Chapter 9
Bankuruwase（番狂せ）
Hump Back（Hump Back）
Author’s CommentA rock number by Hump Back. The three members of sound
sleep have been huge fans of this band for ages.
Chapter 9
Enjo Kousai（援助交際）
GING NANG BOYZ（銀杏BOYZ）
Author’s CommentThe original is great, but I also highly recommend
CreepHyp's cover.
Chapter 8
everything is my guitar
andymori
Author’s CommentAs the title suggests, it's a wonderful song that
captures the early impulses of rock music.For Hatono, who could barely play guitar yet, this was the
only song I could picture her singing by herself, channeling her situation and her painful past.
Chapter 1-4
I Don't Wanna Die（あいどんわなだい）
GING NANG BOYZ（銀杏BOYZ）
Author’s CommentThe lyrics might be a bit intense for a high schooler,
but when I first created Tamaki, I could vividly imagine her belting it out and having a blast. That’s
why I chose it.
